Filiation and generation in 'A Hundred Thousand Billion Poems'
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Abstract
'Queneau’s AHundred Thousand Billion Poems' has often been reduced to its technical and formalist character because of the almost infinite combinations of lines that make it up. This characteristic has fascinated readers of this extraordinary collection. The aim here is to take their content seriously, basing essentially on the ten “parent sonnets”, which will be read semantically in order to highlight their depth. The theme that interests us is filiation, and we will relate the problem to the form.
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