Jerzy Ronard Bujański - postwar half-season in Stary Teatr
Article Sidebar
Main Article Content
Abstract
Jerzy Ronard Bujański was the first director of the Old Theatre after the Second World War (from the end of January to August 1945). The article presents turbulent beginnings of this management (the war was still in progress). Besides, the first premiere of the Old Theatre - Mąż doskonały by Jerzy Zawieyski - directed by Bujański, stage design by Andrzej Pronaszko. This performance referred to the character of Job from the Old Testament and was related to the Warsaw Uprising context. This show was one of the most important artistic events of the first season after the war. Next to the Old Theatre, Bujański established the Studio, which educated about one hundred people. The teachers included: Juliusz Osterwa and Tadeusz Kantor, while the students were, for example Tadeusz Łomnicki, Halina Mikołajska, Andrzej Hiolski, Kazimierz Mikulski and Jerzy Nowosielski. In August 1945, Jerzy Ronard Bujański was dismissed as a result of a conflict with the city authorities. However, during the time of his management, the theatre gained a high artistic position.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
COPYRIGHT POLICY
The publisher of "Annales Universitatis Paedagogicae Cracoviensis.Studia Historicolitteraria" is authorised to use and distribute all the materials published in the journal on the basis of a non-exclusive licence agreement unlimited in time – previously concluded for an indefinite period of time each time with the author of a specific paper in the fields of exploitation specified in the agreement.
OPEN ACCESS POLICY
"Annales Universitatis Paedagogicae Cracoviensis.Studia Historicolitteraria” is an open access journal, and all its contents are available for free to users and/or their institutions on the basis of non-exclusive licenses under Creative Commons (CC BY CC-BY-4.0). Users can read, download, make copies, distribute, print, search, or to link to full text articles in this journal without the prior permission of the publisher or the author.This is consistent with the definition of open access BOAI (http://www.soros.org/openaccess).
References
Bujański J.R., Chwila osobliwa (Przed podniesieniem kurtyny), „Front Teatralny” 1945, nr 1, s. 2–4.
Bujański J.R., Starego Teatru druga młodość, Kraków 1985.
Fik M., Kultura polska po Jałcie. Kronika lat 1944–1981, London 1989, s. 49.
Głosy prasy, „Front Teatralny” 1945, nr 3, s. 35–36; nr 4, s. 26–27.
Kałużyński Z., Problemy powojennego teatru w Polsce, „Twórczość” 1947, nr 10, s. 27–60.
Kruczkowski L., Mesjanizm odgrzewany, „Odrodzenie” 1945, nr 20, s. 2.
Księga Hioba, przeł. z hebrajskiego C. Miłosz, Kraków 1998.
Kudliński T., Człowiek nowy – z bólu zrodzony, „Tygodnik Powszechny” 1945, nr 3.
Misiorny M., Teatry dramatyczne Ziem Zachodnich 1945–1960, Poznań 1963.
Mrozińska S., Karabin i maska, Łódź 1964.
Orzechowski E., Stary Teatr i Studio, Kraków 1974.
Pronaszko A., Zapiski scenografa. Wspomnienia, artykuły, listy, oprac. J. Timoszewicz, Warszawa 1976.
Słownik biograficzny teatru polskiego, t. 3: 1910–2000, vol. 1: A–Ł, Warszawa 2017, s. 125–127.
Wyka K., Pozycja Krakowa, „Twórczość” 1945, nr 2.
Zawieyski J., Wyznanie autora (Przed premierą „Męża doskonałego”), „Front Teatralny” 1945, nr 1, s. 5–8.