The imprinting. The frenzy memories remain in my depressed consciousness. The graphic methods for visualising the memory structures by Joachim Zintel
Main Article Content
Abstract
The article describes the aspects of Joachim Zintel’s (Berlin, 1943) graphics that are referred to as typography. In his graphics, the artist processes snippets of memories of the flight from Stettin to Berlin at the end of the World War II. But it is not the historical events that come to the fore in the graphics, but the processes of remembering and forgetting, the themes of images that are characterized by shifts, highlights, obscuring, blurring and gaps.
Downloads
Article Details
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
COPYRIGHT POLICY
The publisher of "Annales Universitatis Paedagogicae Cracoviensis.Studia Historicolitteraria" is authorised to use and distribute all the materials published in the journal on the basis of a non-exclusive licence agreement unlimited in time – previously concluded for an indefinite period of time each time with the author of a specific paper in the fields of exploitation specified in the agreement.
OPEN ACCESS POLICY
"Annales Universitatis Paedagogicae Cracoviensis.Studia Historicolitteraria” is an open access journal, and all its contents are available for free to users and/or their institutions on the basis of non-exclusive licenses under Creative Commons (CC BY CC-BY-4.0). Users can read, download, make copies, distribute, print, search, or to link to full text articles in this journal without the prior permission of the publisher or the author.This is consistent with the definition of open access BOAI (http://www.soros.org/openaccess).
References
Assmann A., Formen des Vergessens, Göttingen Wallstein, 2016.
Bense M., Einführung in die informationsästhetische Ästhetik, Reinbek 1969.
Hartung H., Konkrete Poesie, [in:] Reallexikon der deutschen Literaturwissenschaft, Hg. H. Fricke, Berlin-New York 2007, Bd. 2, S. 328-331.
Jandl E., Laut und Luise. Aus der Kürze des Lebens, Therwil/Schweiz 1995.
Kracauer S., Die Photographie, [in:] Ders.: Schriften, Bd. 52 (1927-1931) Frankfurt/M. 1990, S. 21-39.
Landwehr A., Kulturelles Vergessen. Erinnerung an eine historische Perspektive, „Merkur. Deutsche Zeitschrift für europäisches Denken“ 2015 (69), Nr. 795, S. 84-92.
Langner P.M., Wiederholungen als künstlerisches Strukturelement. Zum Verhältnis von Wiederholungen und Singularität, [in:] Wiederholung im Theater. Zur deutschsprachigen Gegenwartsdramatik und ihrer Inszenierung, Hg. P.M. Langner u.a.: Göttingen Vandenhoek und Ruprecht 2021, S. 11-24.
Nancy J.L., Die Kunst. Fragment. In deutscher Übersetzung von Ashraf Noor, „Naharaim“ 2012, Nr. 6/2, S. 286-307.
Schichten, Geschichte, System. Geologische Metaphern und Denkformen in den Kunstwissenschaften, Hg. H.-W. Heister, Berlin 2016.
Zintel J., Gummelt R. und von G. Weihersberg, Prägung, Berlin 2010.